Published inCounter Arts‘Back to the Future: The Musical’ Makes a Satire of Itself at the Adelphi TheatreAnd I wish I could go back in time to before I bought the ticketsDec 12, 202411Dec 12, 202411
Published inThe MemoiristThat Time My Father Came Home with a LionAnd no one seemed to think it was a terrible, terrible ideaDec 10, 202447Dec 10, 202447
Published inCounter Arts‘Viola’s Room’: Punchdrunk Theatre Draws Us into Daisy Johnson’s Dark FairytaleA work of immersive theatre that takes you into the maze behind its protagonist’s wallsNov 26, 202418Nov 26, 202418
Published inNew Writers WelcomeWhat I Know After Reaching 500 Followers in Eight MonthsAdvice from a Medium writer who still knows absolutely nothingNov 17, 202410Nov 17, 202410
Published inE³ — Entertain Enlighten EmpowerTwenties Slang Is the Greatest of All Time — But Which Twenties?Why your cat’s pyjamas are the OGNov 14, 20244Nov 14, 20244
Published inSeroxcat’s SalonThe Cubic Christmas Lights of Carnaby StreetAnd the people who hate them Nov 10, 20241Nov 10, 20241
Published inJaponica PublicationIf People Wrote About Britain the Way They Write About JapanOr, how to write about a place as if it’s strange and exoticNov 5, 20245Nov 5, 20245
Published inCounter Arts‘Waiting for Godot’: Beckett’s Blank Canvas at the Theatre Royal HaymarketDirector James Macdonald strips away the details, letting the characters speak for themselvesNov 2, 202426Nov 2, 202426
The Real ‘Curse of Oak Island’ Is the Show’s Terrible ProducersThis trash-television could be telling a story, but the showrunners just aren’t interestedNov 1, 20244Nov 1, 20244
Published inE³ — Entertain Enlighten EmpowerWhy Authors Cross Out Their Names When Signing a BookA brief history of the authorial strikethroughOct 27, 20246Oct 27, 20246