Owen Schaefer·Jul 4David Hockney’s Final Show Is a Slow, Sad Walk Through Time“A Year in Normandie and Some Other Thoughts about Painting” gives us everything important to the artist in one quiet meditation.
InArt+LondonbyOwen Schaefer·Jul 3The Peaks and Troughs of “Genuine Fake Premium Economy”The Institute of Contemporary Arts brings us three artists exploring a clever but dated financial theme
InArt+LondonbyOwen Schaefer·Jun 25Tracey Emin’s ‘Second Life’ Returns her to her First PrinciplesThe Tate Modern show gives us the artist we were always meant to see
InA-CulturatedbyOwen Schaefer·Apr 6Food Should Be More than FuelSometimes the best part of travel is on your plate
InCounter ArtsbyOwen Schaefer·Dec 3, 2025Turner and Constable — The Painting Rivalry that Changed ArtTate Britain’s new exhibition reveals two wildly different artists who spurred one another toward greatness, with just a little drama…A response icon4A response icon4
InCounter ArtsbyOwen Schaefer·Sep 16, 2025‘The Hot Spot’ is the Japanese Comedy-Drama We NeedBakarhythm’s script mixes the humdrum and the absurd in a hilarious and maybe even quietly subversive storyA response icon7A response icon7
InAge of EmpathybyOwen Schaefer·Jun 4, 2025Community and the ApocalypseWhy prep for the wilderness when your neighbours could loan you some toilet paper?A response icon4A response icon4
InA-CulturatedbyOwen Schaefer·May 21, 2025The Arboreal Trolls of Sycamore GapWe may never know why they cut down the Sycamore Gap tree, but we know they did it with a smirkA response icon4A response icon4
InCounter ArtsbyOwen Schaefer·Apr 18, 2025Netflix’s ‘Ranma 1/2’ Revitalises the Original High School AnimeThis new adaptation of Rumiko Takahashi’s iconoclastic manga is still hilarious, and surprisingly relevant
InA-CulturatedbyOwen Schaefer·Apr 8, 2025Five Years Ago, Lockdown Made My Street Into a CommunityHow WhatsApp and worry pulled everyone together and kept it that wayA response icon9A response icon9