PinnedPublished inCounter ArtsNetflix’s ‘Ranma 1/2’ Revitalises the Original High School AnimeThis new adaptation of Rumiko Takahashi’s iconoclastic manga is still hilarious, and surprisingly relevantApr 181Apr 181
PinnedPublished inA-CulturatedFive Years Ago, Lockdown Made My Street Into a CommunityHow WhatsApp and worry pulled everyone together and kept it that wayApr 88Apr 88
PinnedPublished inAge of EmpathyWays the Universe Might End — But Not TodayOr how my cat is (not) responsible for the heat death of the universeMar 2731Mar 2731
Published inE³ — Entertain Enlighten EmpowerAre You Gazumping? Gazundering? Breaking the Chain?Understanding the sometimes baffling British real estate terminologyApr 35Apr 35
Published inCounter ArtsAurorae Offers Flashes of Brilliance in New Media ArtThis group show by CaptiArtX at the new art’otel Hoxton is flawed but still fascinatingMar 303Mar 303
‘Megalopolis’ Collapses Under Its Own WeightWith its tired tropes and empty characters, Coppola’s big ideas get buried beneath the rubbleMar 209Mar 209
Published inCounter ArtsEdvard Munch and the Portraits that Watched Over HimThe National Portrait Gallery shows us a more sociable SymbolistMar 188Mar 188
Published inE³ — Entertain Enlighten EmpowerHow the Modern Passport Took Over the WorldThe simplified story of this universal travel documentMar 818Mar 818
Published inCounter ArtsThe Sweetest Psychopath — Why the Season 1 Finale of ‘The Day of the Jackal’ Is a BullseyeEddie Redmayne stars in the streaming remake of a classic, and interrogates our desire for perfect controlFeb 114Feb 114